Wally Glutton - A Chilly Draft

This is a track I started in 2004 but never finished. All the drum programming and synth work was done using Reason. The sample at the start is from the movie Donnie Darko.


There Is No Movement Without Rhythm

Warning: This video is highly rhythmic. It may cause happiness and spontaneous dancing.


This is happening right now inside every one of your trillions of cells. The replication and transcription of DNA/RNA reminds me of a Turning Machine with the DNA/RNA as the tape.


Stung Eye Year in Review

This weekend was nice. I have a new year’s tradition of re-reading my StungEye post from the previous year. I also re-read and update my resolutions. Here’s a recap of my 2010.

Doing Is Real; Being Is A Social Fiction*

Most of my 2010 resolutions were about doing stuff, rather than thinking about doing stuff. ; )

As such, I:

To increase my productivity (or better said, to decrease my procrastination) I’ve been experimenting with a simple To-Do system based on video game “achievement theory”. Some inspirations:

Our goal with was to increase citizen engagement in Winnipeg civic politics by creating an online information hub for voters, candidates and journalists. This past October we helped over 35 thousand Winnipeggers research their mayoral, council and school trustee candidates.

The site was inspired by, which was inspired by and

We will be announcing a new project later this month, built in collaboration with RRC Journalism students. We will continue to focus on organizing and sharing publicly available political data.

Intellectual Property and the Public Domain

Twenty-ten was the year I finally overcame my fear of the public domain.

“He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me. That ideas should freely spread from one to another over the globe, for the moral and mutual instruction of man, and improvement of his condition, seems to have been peculiarly and benevolently designed by nature, when she made them, like fire, expansible over all space, without lessening their density in any point, and like the air in which we breathe, move, and have our physical being, incapable of confinement or exclusive appropriation. Inventions then cannot, in nature, be a subject of property.” — Thomas Jefferson

Prior to this year I had been using a (fairly permissive) Creative Commons license for all my publicly available source-code, blog content and Flickr photos. After pondering the above-linked essay I no longer wished to force attribution or to place non-commercial-use restrictions on my works. I claim no ownership over the ideas I choose to share with others.

This year I released the following soure-code as public domain using the Unlicense:


2011-01-03 17:05:00


Indiana Jones in Pixels.

One row per film. Good guys on the left. Baddies on the right. Key artifact in the middle.


What if we could touch our music again?

c60 Redux

Also: SoundCards, music trading-cards that link you to music in the cloud.

  • Many people have a physical connection with their music. These people like to organize, display and interact with their music via the containers (album covers, cd cases).
  • Music is a highly social medium. People enjoy sharing music with others. People learn about new music from others in their social circle.
  • The location where music is stored will likely switch from devices managed by the listener to devices managed by a music service. In the future, a music purchaser will purchase the right to listen to a particular song, while the actual music data will remain managed by the music service.

Finally: Daito Manabe and Motoi Ishibash built a lighting sequencer that uses RFID-enabled cards to control lighting and sounds.


Somewhere in Griffin, Georgia.

Winnipeg city planners take notice. We need signs like this.

There’s a similar sign in Sealy, Texas.



via : via


Mr. Dressup.


‎”Maybe it’s time we get out of the broadcasting business…”
Dean Del Mastro, Parliamentary Secretary to the Minister of Canadian Heritage.

Them there are fight’n words. Sign the petition, or better yet, send a hand-written letter of support for the CBC to our Heritage Minister:

The Honourable James Moore
Minister of Canadian Heritage
and Official Languages
House of Commons
Ottawa, Ontario
K1A 0A6


Extracts of local distance.

Countless fragments of existing architectural photography are merged into multilayered shapes. The original pictures are analysed and categorised according to their vanishing-points and shapes. The resulting collages introduce a third abstract point of view next to the original ones of architect and photographer.

The process.