An excerpt from the motion picture Funky Forest combined with the music of Freescha.
Via: Reactual
Also:
Indiana Jones in Pixels.
One row per film. Good guys on the left. Baddies on the right. Key artifact in the middle.
From the album Tape It Back Together on Peanuts and Corn Records.
Also: Monkey Temple
What if we could touch our music again?
Also: SoundCards, music trading-cards that link you to music in the cloud.
- Many people have a physical connection with their music. These people like to organize, display and interact with their music via the containers (album covers, cd cases).
- Music is a highly social medium. People enjoy sharing music with others. People learn about new music from others in their social circle.
- The location where music is stored will likely switch from devices managed by the listener to devices managed by a music service. In the future, a music purchaser will purchase the right to listen to a particular song, while the actual music data will remain managed by the music service.
Finally: Daito Manabe and Motoi Ishibash built a lighting sequencer that uses RFID-enabled cards to control lighting and sounds.
Somewhere in Griffin, Georgia.
Winnipeg city planners take notice. We need signs like this.
There’s a similar sign in Sealy, Texas.
70% of Winnipeggers are using Facebook. 1% of Winnipeggers are using Twitter. [source]
Mr. Dressup.
A work in progress.
”Maybe it’s time we get out of the broadcasting business…”
—Dean Del Mastro, Parliamentary Secretary to the Minister of Canadian Heritage.
Them there are fight’n words. Sign the petition, or better yet, send a hand-written letter of support for the CBC to our Heritage Minister:
The Honourable James Moore
Minister of Canadian Heritage
and Official Languages
House of Commons
Ottawa, Ontario
K1A 0A6
Countless fragments of existing architectural photography are merged into multilayered shapes. The original pictures are analysed and categorised according to their vanishing-points and shapes. The resulting collages introduce a third abstract point of view next to the original ones of architect and photographer.
@redlibrarian: “From the Wiki page on Jan Tschichold, a book designer who looked specifically at page ratios.”
‘One Hundred and Eight’ is an interactive, wall-mounted installation by Berlin-based media artist Nils Völker.
Via dad via the pop-up city.
Flying a RightWing Zephyr in New York, over the Brooklyn and Verazano Bridge, around Downtown Manhattan and the Statue of Liberty.
Also: Build Your Own.
Hans Rosling’s 200 Countries, 200 Years, 4 Minutes - The Joy of Stats. [via]